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Indigenous travelers and knowledge production in the Pacific: The case of Kadu and Ludwig Choris
Author(s) -
Igler David
Publication year - 2017
Publication title -
history compass
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.121
H-Index - 1
ISSN - 1478-0542
DOI - 10.1111/hic3.12431
Subject(s) - indigenous , enlightenment , humanity , traditional knowledge , representation (politics) , pacific islanders , power (physics) , geography , work (physics) , sociology of scientific knowledge , history , ethnology , environmental ethics , political science , sociology , anthropology , social science , engineering , law , ecology , philosophy , physics , theology , quantum mechanics , ethnic group , politics , biology , mechanical engineering
Studies of early modern knowledge production have recently shifted the focus away from Europe as a singular center of intellectual power and Europeans as the sole contributors to Enlightenment thought. In the late 18th century, the Pacific Ocean became a vast and diverse arena of scientific and cultural exploration, a waterscape in which European and American expeditions encountered indigenous groups as well as new sites for the study of nature and humanity. The Russian expedition of the Rurik (1815–1818) demonstrates many aspects of knowledge production in a Pacific maritime setting, including the stunning visual representation of indigenous communities by the artist Ludwig Choris, the active collaboration of an indigenous Marshall Islander named Kadu, and the researches of two naturalists on board the Rurik . For an expedition that failed in its stated mission to discover the Northeast Passage, the work of these individuals reveal the process and surprising outcome of intelligence gathering in an ocean world far from Europe.