Premium
STANDING OUTSIDE ONESELF: TRANSGENDER GAZING IN ANTJE RÁVIK STRUBEL'S KÄLTERE SCHICHTEN DER LUFT (2007) AND IN DEN WÄLDERN DES MENSCHLICHEN HERZENS (2016)
Author(s) -
Sutton Katie
Publication year - 2021
Publication title -
german life and letters
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.1
H-Index - 12
eISSN - 1468-0483
pISSN - 0016-8777
DOI - 10.1111/glal.12300
Subject(s) - queer , transgender , gaze , identity (music) , art , temporality , gender studies , sociology , aesthetics , literature , art history , philosophy , psychoanalysis , psychology , epistemology
Expanding upon early feminist discussions of the ‘male gaze’ of classic Hollywood cinema, scholars have theorised the multiple modalities of a ‘transgender look’ or ‘gaze’. This involves considering trans(*) or transgender perspectives not just in terms of identity, but as a way of seeing that refuses to privilege the real over the figurative, and that can enable characters to envisage alternative futures. This article draws on discussions of trans and queer gazing, embodiment and temporality, to argue for a trans reading of Antje Rávik Strubel's 2007 novel Kältere Schichten der Luft , set in a canoeing camp in Sweden, and her 2016 episodic novel In den Wäldern des menschlichen Herzens . It argues that the transgender gaze is cultivated as a space of both refuge and possibility for the protagonists of these two works, with the later novel pushing beyond the temporary glimpses of queer and trans utopias in Kältere Schichten toward more permanent, although never fixed, representations of trans embodiment. These works invite readers to look with rather than at trans and genderqueer characters. In doing so, they renegotiate understandings of pasts and futures, embodiments and desires.