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The role of gamut, intuition and engagement in colour management in a design context
Author(s) -
Henry Phil,
Westland Stephen
Publication year - 2020
Publication title -
coloration technology
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.297
H-Index - 49
eISSN - 1478-4408
pISSN - 1472-3581
DOI - 10.1111/cote.12449
Subject(s) - computer science , subtractive color , gamut , intuition , context (archaeology) , process (computing) , human–computer interaction , artificial intelligence , psychology , visual arts , art , paleontology , biology , operating system , cognitive science
Colour management is ubiquitous in the digital world. However, despite the many advances in colour management over the last couple of decades, it remains an imperfect process. In the art and design community there is often a level of dissatisfaction and deep cynicism about colour management that can lead to lac of engagement with the process. This research explores colour management in a design context though three issues: the gamut issue , the intuitive issue and the engagement issue ; each relates to areas where colour management could better connect with tacit design knowhow. The work focusses on the selection of colour in a digital context since for many users this is the first touch point that they have with colour management. Psychophysical studies have been carried out in both laboratory and design‐studio settings. It is shown that users can better predict the results from subtractive colour mixing than from additive colour mixing. The performance of various types of colour picker are explored and consequences for the design of user interfaces are discussed.

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