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Not Child's Play: Tactics and Strategies in Viva Cuba and Habanastation
Author(s) -
FEHIMOVIĆ DUNJA
Publication year - 2015
Publication title -
bulletin of latin american research
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.24
H-Index - 33
eISSN - 1470-9856
pISSN - 0261-3050
DOI - 10.1111/blar.12368
Subject(s) - exploit , universality (dynamical systems) , political science , psychology , public relations , sociology , political economy , computer security , computer science , physics , quantum mechanics
Recognition of the national and international contexts in which Viva Cuba (Juan Carlos Cremata, 2005) and Habanastation (Ian Padron, 2011) were made and marketed highlights the coexistence of a pragmatic, tactical approach to filmmaking with the expression of specific, national concerns. Indeed, the two elements are inextricable, since both directors exploit the association of children with universality and the apolitical in order to pursue both personal and national goals, so that these films for children, about children must be seen not as child's play but as contracandelas : strategic and affective responses to uncertainty and threat.