Premium
Ritual sounds, political echoes: Vocal agency and the sensory cultures of secularism in the Dutch Syriac diaspora
Author(s) -
BAKKER KELLOGG SARAH
Publication year - 2015
Publication title -
american ethnologist
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.875
H-Index - 78
eISSN - 1548-1425
pISSN - 0094-0496
DOI - 10.1111/amet.12139
Subject(s) - secularism , diaspora , sociology , politics , political subjectivity , subjectivity , aesthetics , ethnic group , modernity , agency (philosophy) , gender studies , anthropology , philosophy , social science , law , epistemology , political science
Among Syriac Orthodox Christian migrant communities in the Netherlands, liturgical performance is a site of controversy over where and how to draw a boundary between “religious” and “ethnic” identity. Tensions materialize in discordant singing styles and modes of performance, echoing complex historical encounters with Dutch, Syrian, and Turkish secularisms. These encounters, I argue, have refashioned the liturgical tradition's role as a central axis of ethnoreligious social life and kin relations across the diaspora. Secular state practices shape a diasporic sensory culture that is met with a distinct form of vocal agency. Syriac Orthodox liturgical experiments show how the voice can transform the sensorial interface between human subjectivity and social intelligibility, in turn transforming how categories of secular modernity—whether ritual, art, ethnicity, or politics—are distinguished and lived.