Premium
Developing a School Drawing Policy with Newly Qualified Teachers of Art and Design
Author(s) -
Rayment Trevor,
Smith Fraser
Publication year - 2002
Publication title -
international journal of art and design education
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.312
H-Index - 25
eISSN - 1476-8070
pISSN - 1476-8062
DOI - 10.1111/1468-5949.00324
Subject(s) - presentation (obstetrics) , curriculum , session (web analytics) , work (physics) , subject (documents) , pedagogy , visual arts education , perception , sociology , mathematics education , psychology , visual arts , computer science , engineering , the arts , medicine , art , library science , mechanical engineering , neuroscience , world wide web , radiology
This paper describes part of a one–day course run by the authors for Newly Qualified Teachers of art and design (NQTs) planned to develop subject knowledge and assessment expertise. The former was achieved partly through an examination of the roles of drawing in secondary school art and design education. Through review and discussion of their pupils’ drawings, the NQTs developed ideas about the functions and purposes of drawing. These ideas were then refined and some practical work undertaken. The nature of drawing policies for secondary art and design departments was considered. The session concluded with a consideration of ideas that might inform the development of such a drawing policy. Secondly, the authors take up and develop several issues from the NQTs’ ideas and responses. These include reference to participants’ drawing performance and understanding, their judgements about the value of drawing, and to how these may be influenced by factors in art education, including those associated with GCSE and assessment. Finally, reference is made to two distinctive perceptions of drawing in schools and, with reference to the work of Wilson, Hurwitz and Wilson, the authors suggest a strategy and argue for the development of drawing policy and curricula for secondary school art departments. The paper is based on part of a presentation given at the Annual Conference of the NSEAD, York, 2002.