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ROCK ART AND RITUAL LANDSCAPE IN CENTRAL SPAIN: THE ROCK CARVINGS OF LA HINOJOSA (CUENCA)
Author(s) -
DÍAZANDREU MARGARITA
Publication year - 2003
Publication title -
oxford journal of archaeology
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.382
H-Index - 31
eISSN - 1468-0092
pISSN - 0262-5253
DOI - 10.1111/1468-0092.00003
Subject(s) - archaeology , peninsula , rock art , narrative , geology , period (music) , situated , structural basin , geography , paleontology , art , literature , artificial intelligence , computer science , aesthetics
Summary. In this article the rock art carvings of La Hinojosa in central Spain are examined. Their connection to a major transit route recorded at least from the medieval period is explored, as well as their location in a valley located at the confluence of two primary river basins in the Iberian Peninsula separated by less than five kilometres. It is argued that this singularity of the landscape seems to have been perceived by the people who marked the stones. From the 17 decorated rocks recorded in La Hinojosa valley, three were exceptionally elaborately decorated. They were situated at regular intervals in the valley. The site with the greatest number of motifs, the large rock of San Bernardino, occupies a central location. This site is also exceptional because of the transformations which the rock shows throughout the day, pointing to a narrative in which cups and anthropomorphs seem to have a primary role. It is suggested that gender may have constituted one of the main guidelines of the narrative, given the apparent replacement of feminine by masculine human representations throughout the day.