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Affect, creativity, and community‐making in a C ongolese song‐dance performance: or how to follow the movement of the social
Author(s) -
Plancke Carine
Publication year - 2014
Publication title -
journal of the royal anthropological institute
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.62
H-Index - 62
eISSN - 1467-9655
pISSN - 1359-0987
DOI - 10.1111/1467-9655.12127
Subject(s) - imitation , affect (linguistics) , dance , articulation (sociology) , movement (music) , feeling , creativity , aesthetics , reading (process) , sociology , rhythm , psychology , visual arts , communication , social psychology , linguistics , art , political science , philosophy , politics , law
In rural P unu society, song‐dance performances of rejoicing are deeply connected with forces of regeneration; they not only celebrate the sexual encounter but also, in their constituent dynamic, aim progressively to awaken a shared feeling of joy that leads to the intensification of the dancing and to the creation and diffusion of new songs. I seek to account for this regenerative potential by pursuing Turner's processual view of ritual performance, which acknowledges moments of structure and lack of structure. In this regard, I develop the dynamic of community‐making and creative flow in the performances with reference to Collins's reading of Durkheim's collective effervescence and Tarde's idea of imitation. As a whole, I argue that paying attention to rhythm and affect, inasmuch as they are a lived realization of structure and flow, is essential for understanding the revitalizing articulation between these terms and for following the ongoing movement of the social.