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Composing the Spectacle: Colonial Portraiture and the Coronation Durbars of British India, 1877–1911
Author(s) -
Willcock Sean
Publication year - 2017
Publication title -
art history
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.1
H-Index - 19
eISSN - 1467-8365
pISSN - 0141-6790
DOI - 10.1111/1467-8365.12233
Subject(s) - coronation , spectacle , colonialism , citation , art history , history , art , performance art , media studies , visual arts , sociology , ancient history , law , political science , archaeology
At the Royal Academy Exhibition of 1880, Val Prinsep's vast group portrait of British and Indian rulers was singled out for virulent criticism. This essay argues that Prinsep's commemorative painting of the 'Imperial Assemblage' held in Delhi in 1877 registred as a crisis of imperial governance, disrupting the sober visual strategies that had emerged in British portraiture to secure social cohesion. The colorful heterogeneity of the Indian rulers' dress stood in contrast to the monochromatic palette that dominated Victorian portraits -an aesthetic uniformity that had worked to picture a fractious parliamentary system in terms of an overarching political stability. A key reality of empire -cross-cultural interaction- therefore undetermined acceptable aesthetic conventions. At a time when colonial governance was increasingly wedded to the logic of the spectacle, such visual turbulence was no small matter.