“The World’s Against Me As A Black Man”: Charles Mingus and Segregated America

This paper examines how the artistic output of Charles Mingus was influenced by the question of race in U.S. politics. Employing material from the liner notes of Mingus’s albums, his autobiography, and interviews for his oral history, I argue that issues of race and their political manifestation were forced upon Mingus by the circumstances of American politics. Mingus’s experience as an African American vehemently opposed to segregated race relations and alert, throughout his life, to racism, is part of his compositional presence.