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‘I Saw a Nightmare . . .’: Violence and the Construction of Memory (Soweto, June 16, 1976)[Note 1. Parts of Lilli Mokganyetsi's story and its analysis were ...]
Author(s) -
PohlandtMcCormick Helena
Publication year - 2000
Publication title -
history and theory
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.169
H-Index - 41
eISSN - 1468-2303
pISSN - 0018-2656
DOI - 10.1111/0018-2656.00144
Subject(s) - silence , collective memory , distrust , ideology , politics , context (archaeology) , sociology , contest , ambiguity , political violence , gender studies , aesthetics , history , law , political science , philosophy , linguistics , archaeology
The protests on June 16, 1976 of black schoolchildren in Soweto against the imposition of Afrikaans as a medium of instruction in their schools precipitated one of the most pro‐found challenges to the South African apartheid state. These events were experienced in a context of violent social and political conflict. They were almost immediately drawn into a discourse that discredited and silenced them, manipulating meaning for ideological and political reasons with little regard for how language and its absence—silences—further violated those who had experienced the events. Violence, in its physical and discursive shape, forged individual memories that remain torn with pain, anger, distrust, and open questions; collective memories that left few spaces for ambiguity; and official or public histories tarnished by their political agendas or the very structures—and sources—that produced them. Based on oral histories and historical documents, this article discusses the collusion of violence and silence and its consequences. It argues that—while the collusion between violence and silence might appear to disrupt or, worse, destroy the ability of individuals to think historically—the individual historical actor can and does have the will to contest and engage with collective memory and official history.