z-logo
open-access-imgOpen Access
Crossmodal Aesthetics: How Music and Dance Can Match
Author(s) -
Solveig Aasen
Publication year - 2020
Publication title -
philosophical quarterly
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 1.095
H-Index - 45
eISSN - 1467-9213
pISSN - 0031-8094
DOI - 10.1093/pq/pqaa049
Subject(s) - dance , movement (music) , aesthetics , crossmodal , art , visual arts , musicality , psychology , cognitive psychology , popular music , perception , visual perception , neuroscience
The relationship between music and dance can sometimes be a ‘match’, a remarkable fit between the audible manifestation that music is and the visual or kinaesthetic manifestation that dance is. A match between two things seems to require a common measure with respect to which the match obtains. What can this be for two so different phenomena as music and dance? I argue that the most promising answer is: movement. This answer will not be satisfactory unless the movement of music and the movement of dance are the same on some level. I suggest that they are: there are qualities of movement that guide both dancers and musicians when producing dance and music as perceptible phenomena. But the match in qualities is elusive, since the qualities are instantiated in different ways in music and dance, respectively.

The content you want is available to Zendy users.

Already have an account? Click here to sign in.
Having issues? You can contact us here