Open AccessSupergraphics as a project and artistic method in design of a modern city
Author(s) -
Sergey Mikhailov,
Rafik Khafizov,
Aleksandrina Mikhailova,
Neil Nadyrshine,
Lilia Nadyrshine
Publication year - 2020
Publication title -
iop conference series. materials science and engineering
Language(s) - English
Resource type - Journals
eISSN - 1757-899X
pISSN - 1757-8981
DOI - 10.1088/1757-899x/890/1/012003
Subject(s) - architectural engineering , architecture , subject (documents) , architectural design , object (grammar) , field (mathematics) , pedestrian , process (computing) , urban design , philosophy of design , computer science , visual arts , civil engineering , engineering , sociology , artificial intelligence , art , world wide web , social science , mathematics , philosophy education , pure mathematics , operating system
Supergraphics in the city design is considered as a special form of artistic synthesis of graphic design and architecture in the process of organizing the built environment of the city at various levels (urban ensemble, architectural object, subject forms). The main stages in the formation and development of a supergraphic approach in the city design are revealed: atectonic color-graphic compositions in the architectural environment (until the middle of the 20th century), architectural supergraphics (the second half of the 20th century), anamorphic three-dimensional images in the pedestrian zones of cities (21th century.), Autonomous dynamic color and light composition in the architecture and subject-spatial environment of the city (modern time). Current trends in the field of artistic synthesis and the foundations of the formation of a supergraphic approach in the design of a city based on the philosophy of traditional architectural supergraphics and the use of the latest technologies of the information society are outlined.