Articulation of Facade Graphics and Techniques of its Implementation

The article deals with issues at the boundary of architecture and technology, related to visual articulation. The facade graphics is a relatively new phenomenon that has arisen over the last two decades. Some of the image implementation techniques it uses have been known for a long time. Some of them are derived from stained glass (e.g. the technique of manual enamel application), some are related to the already known techniques of workshop graphics (screen printing). One of the latest technological achievements is the development of digital printing technology. Each of the aforementioned techniques has specific artistic possibilities and means of expression, which influences the articulation of the image in the external partition and has a significant impact on a number of compositional aspects. The image placed in the façade supports the building's form, underlining its shape, emphasizing important places in the building. The work examines the relationship between the applied techniques of implementation and the properties of the image on glass. An important part is to determine to what extent the construction of the image and the applied plastic measures affect the visual range of the glass partition and the functional properties. Particularly interesting projects are those made with several techniques, and those in which a new technique was discovered, which is later copied in other projects. The research can make a strong case for using artistic glass in the facade of a building and provide guidance for designers and investors. The publication will present examples of implementations placed in the facade of the building. The phenomenon will be investigated on the basis of buildings constructed over the last two decades. Due to the global nature of plastic phenomena, there is no limited research territory.