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Unravelling the Mystery: Charlotte Brontë’s 1850 ‘Thackeray Dress’
Author(s) -
Eleanor Houghton
Publication year - 2016
Publication title -
costume
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.101
H-Index - 7
eISSN - 1749-6306
pISSN - 0590-8876
DOI - 10.1080/05908876.2016.1165956
Subject(s) - style (visual arts) , white (mutation) , george (robot) , art , performance art , hero , period (music) , art history , history , literature , visual arts , aesthetics , biochemistry , chemistry , gene
In the summer of 1850, there was a frisson of excitement in London society. Charlotte Brontë, the recently revealed writer of the best-selling novel Jane Eyre, was in the capital, staying with her publisher, George Smith. The highlight of Charlotte’s trip was a large, formal dinner hosted by her literary hero, William Makepeace Thackeray. To this august event it has long been assumed that she wore a floral print, white and blue delaine skirt and bodice. This article begins by examining the colloquially named ‘Thackeray Dress’ in detail, before considering the evidence given in support of it having been worn to the dinner on 12 June 1850. The style and fabric of the dress are then compared to others of the period and this is followed by an examination of contemporary sartorial conventions, and the extent of Charlotte Brontë’s adherence to them. Questions raised by these findings are then considered alongside reports that suggest the dress may not have been worn on this occasion. Published in the bicentenary year of Brontë’s birth, this study questions the validity of the garment’s association with the legendary Thackeray dinner and, in so doing, attempts to separate fact from fiction.

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