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‘Waiting for Jardiwanpa’: History and Mediation in Warlpiri Fire Ceremonies[Note 1. With acknowledgements to the film production ‘Waiting for Harry’, ...]
Author(s) -
Curran Georgia
Publication year - 2019
Publication title -
oceania
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.356
H-Index - 25
eISSN - 1834-4461
pISSN - 0029-8077
DOI - 10.1002/ocea.5211
Subject(s) - negotiation , ethnography , settlement (finance) , representation (politics) , space (punctuation) , aesthetics , history , sociology , mediation , art , anthropology , payment , law , social science , politics , political science , linguistics , philosophy , world wide web , computer science
Warlpiri fire ceremonies, including Jardiwanpa, have been documented in various ethnographies and films for over 100 years. Focused on the documented history of these rituals in Yuendumu, and through ethnographic observations from recent decades, I analyse the transforming meanings of fire ceremonies in contemporary Warlpiri lives. I demonstrate that there have been post‐settlement shifts in ritual purpose due to sedentarisation and the increased connections that Warlpiri people have made to a broader world. I note in particular that, when monetary payment for performing Jardiwanpa for filmic representation became standard practice in the 1990s, the intricacies of the Dreaming were no longer central, nor were the original purposes of conflict resolution and the opening up of marriage restrictions. Several films have been made of fire ceremonies, resulting in fixed representations of what otherwise are emergent practices. This has impacted the ways in which these rituals can be held today, and Warlpiri people have had to creatively re‐negotiate a space for Jardiwanpa and similar fire ceremonies.