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3D analysis of the movements of the laryngeal cartilages during singing
Author(s) -
Unteregger Fabian,
Honegger Flurin,
Potthast Silke,
Zwicky Salome,
Schiwowa Julia,
Storck Claudio
Publication year - 2017
Publication title -
the laryngoscope
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 1.181
H-Index - 148
eISSN - 1531-4995
pISSN - 0023-852X
DOI - 10.1002/lary.26430
Subject(s) - singing , anatomy , medicine , orthodontics , physical medicine and rehabilitation , acoustics , physics
Objective The vocal range of untrained singers rarely exceeds one and a half octaves, but professional singers have a range of at least two and a half octaves. The aim of this study was to better understand the muscle and cartilage movements responsible for the control of vocal pitch in singing. Study Design Prospective study. Methods We recruited 49 female professional singers (25 sopranos and 24 altos) and analyzed laryngeal three‐dimensional images derived from high‐resolution computed tomography scans obtained at the mean speaking fundamental frequency (F0) and at one (F1) and two octaves (F2) above this pitch. Results From F0 to F1, the only observable movement was a backward cricoid tilting caused by the cricothyroid muscles (CTMs), leading to vocal fold stretching. Above F1, a medial rotation and inward rocking of the arytenoid cartilages was observed, caused by the lateral cricothyroid muscles (LCAMs) and leading to inferior displacement of the vocal process of the arytenoid cartilage, and thus to further vocal fold stretching. Conclusion Trained singers achieve the first octave of pitch elevation by simple cricothyroid approximation. Further pitch elevation necessitates a complex movement of the arytenoids, first by CTM contraction and second by LCAM contraction. Level of Evidence 4. Laryngoscope , 127:1639–1643, 2017