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Pigments and binders in the wall paintings of Santa Maria della Steccata in Parma (Italy): the ultimate technique of Parmigianino
Author(s) -
Bersani Danilo,
Paolo Lottici Pier,
Antonioli Gianni,
Campani Elisa,
Casoli Antonella,
Violante Carla
Publication year - 2004
Publication title -
journal of raman spectroscopy
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.748
H-Index - 110
eISSN - 1097-4555
pISSN - 0377-0486
DOI - 10.1002/jrs.1156
Subject(s) - painting , art , raman spectroscopy , altar , pigment , mass spectrometry , chemistry , polymer science , mineralogy , art history , humanities , materials science , chromatography , visual arts , physics , optics
Micro‐Raman spectroscopy and gas chromatography combined with mass spectrometry (GC–MS) were employed to investigate the materials used in the wall paintings by the older Parmigianino (Francesco Mazzola, 1503–1540) on the arch over the main altar in the church of Santa Maria della Steccata in Parma, Italy. The pigments used by the artist and those added by later restorations are characterized by micro‐Raman spectroscopy. GC–MS identified the organic binding media in the paint samples and revealed the presence of polysaccharides in the plaster. These investigations may be useful for a comparison with the technique of the young Parmigianino, author of wall paintings in the church of S. Giovanni Evangelista in Parma in the 1520s. Copyright © 2004 John Wiley & Sons, Ltd.