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The process from the end of the 19th century to the middle of the 20th century was completed with technological progress and development due to the positiveness of modern life. The modernist optimism prevailing in the pre-war world seemed to be unconcerned, outdated, and doomed to failure in relation to the new world order being set up. The effects on the masses of social events that took place after the wars of the world, capitalism has driven society to consumption culture and its diverse influences on the way of life, art and subject matter. The effects of the mass events of the social events following the wars of the world, the effects of the capitalism on the consumption culture and the influences on the life styles, and the arts, have led to different searches in terms of subject and image order. In the same period, it is seen that in the field of philosophy there is also a search for new concept production. Postmodernity, which is the discourse of many concepts in philosophical sense, is a concept that is effective especially in the French philosophy tradition in the second half of the 20th century. In this process, the artist transfers his feelings to his material and thus the material becomes a medium which enables these feelings to pass through to the audience. In this study, the social influence of the art of Mark Rothko, who has stylistic differences in his artistic production in this work, but one of the artists thought to support the idea of this research visually and conceptually, has been examined in terms of color and form. The aim of this work is to bring together the partnership between philosophy and art in the context of art philosophy. The study included primary sources on the subject and texts interpreting Deleuze's opinion. Deleuze's views on the subject and how they constitute a conceptual and meaning sequence, the examination and description of the representations, the reflections in the art of painting are the main method of the research. Rothko's images of the concepts of "body without organ" and "diterritorilazation" discussed by Gilles Deleuze, one of the postmodern thinkers of the 20th century, will be examined in terms of the gradual disappearance of the images, the contrasts in the wide, color blocks thought to be wrapped in the audience, and the similarities in the conceptual structure of the modulation's Works.

GILLS DELEUZE FELSEFESİNDE "YERSİZ-YURTSUZLAŞMA" VE "ORGANSIZ BEDEN" KAVRAMLARIY