Hasan Hüseyin'in Şiirlerinde Fenomenolojik Nesne İncelemesi

The poetics of Hasan Huseyin(b. 1927), one of the most creative Turkish poets, depends on continuous change. Every poem is a new start for Korkmazgil who wishes to write whole the world itself. Since Korkmazgil, who includes many objects in his poetry, does not concern himself with reaching a stable definition of poetry, he is known to be an inscrutable poet. In this study, the poems of Korkmazgil are examined by the critical method of the Geneva School which used the phenomenological approach as a perspective. Husserl’s purpose is to find essence of objects by phenomenological reduction. In addition to he refers to “natural attitude”. The essence of the objects is reached by this reduction method requiring a process. The Geneva School also uses this method. The Geneva School’s purpose is to determine meaning and essence of objects. The multilayered meaning structure in Korkmazgil’s poems is explained by this method where objects are reduced by taking them into parentheses. Some of the layers of meaning in Korkmazgil’s poems are perceived as love, society, human, community, despised, inequality, woman, sexuality which are the immutable themes. Beyond these themes, the existential position of Korkmazgil is determined by means of recurring structures. Hasan Hüseyin determines to reveal the position of woman and existence considering by The Geneva School. At the same time when the meanings of the objects and the themes composing the integrity are considered, despite the thought that he is an original poet, Korkmazgil is seen to have a close relationship with the tradition. The structure in Korkmazgil’s poetry is where Korkmazgil is original and applies his experimentation. The result reached by this study shows that Korkmazgil’s poem, the obliqueness of which is sometimes confused with meaninglessness, is essentially composed by a stable, coherent point of view. However, Korkmazgil achieves change not by the thought system in every book and poem, but he acquires originality by the form he applies.