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During the twentieth century, it was not uncommon to find musical organizations that responded to the following characteristics: to be directed by composers, to be focused on the production and programming of concerts dedicated to new works, and having a local dimension. Between 1942 and 1960, Lisbon had an organization that presented these characteristics: the Sonata society, founded by the composer Fernando Lopes-Graça (1906-1994), a fundamental 71 Resonancias vol . 21, n°40, enerojunio 2017, pp. 71-110 / Art ículos Fecha de recepción: 17-01-2017 / Fecha de aceptación: 19-04-2017

Modernismo e internacionalismo como programa: o compositor Fernando Lopes-Graça e a sociedade de concertos Sonata (Lisboa, 1942-1960)