Modernismo e internacionalismo como programa: o compositor Fernando Lopes-Graça e a sociedade de concertos Sonata (Lisboa, 1942-1960) | Zendy

Teresa Cascudo García-Villaraco | Zendy

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Modernismo e internacionalismo como programa: o compositor Fernando Lopes-Graça e a sociedade de concertos Sonata (Lisboa, 1942-1960)

Author(s) -

Teresa Cascudo García-Villaraco

Publication year - 2017

Publication title -

resonancias revista de investigación musical

Language(s) - English

Resource type - Journals

SCImago Journal Rank - 0.144

H-Index - 2

eISSN - 0719-5702

pISSN - 0717-3474

DOI - 10.7764/res.2017.40.5

Subject(s) - humanities , art , ramsay hunt syndrome , concerto , lopes , art history , physics , astronomy , medicine , alternative medicine , pathology , piano , palsy

During the twentieth century, it was not uncommon to find musical organizations that responded to the following characteristics: to be directed by composers, to be focused on the production and programming of concerts dedicated to new works, and having a local dimension. Between 1942 and 1960, Lisbon had an organization that presented these characteristics: the Sonata society, founded by the composer Fernando Lopes-Graça (1906-1994), a fundamental 71 Resonancias vol . 21, n°40, enerojunio 2017, pp. 71-110 / Art ículos Fecha de recepción: 17-01-2017 / Fecha de aceptación: 19-04-2017

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