Art, human rights activism and a pedagogy of sensibility: the São Paulo Human Rights Short Films Festival-Entretodos
Author(s) -
Eduardo Carlos Bianca Bittar
Publication year - 2020
Publication title -
human rights education review
Language(s) - English
Resource type - Journals
ISSN - 2535-5406
DOI - 10.7577/hrer.3743
Subject(s) - human rights , sensibility , humanity , conviction , perspective (graphical) , context (archaeology) , emancipation , citizenship , politics , sociology , human rights education , political science , media studies , law , art , visual arts , history , archaeology
This article discusses ways in which the Sao Paulo human rights short film festival-Entretodos developed between 2013 and 2016. It considers the festival from the perspective of a coordinator and promoter, discussing its achievements within the socio-political context of this global city, and of Brazil more broadly, where there has been resistance to advances in human rights culture (HRC). Data from the festival gave rise to an analysis of the relationship between art and emancipation, which is presented here from a philosophical perspective. The author illustrates how the experience of hosting a human rights short film festival in Sao Paulo has led to the development of a municipal human rights education (HRE) policy and to the conviction that art and citizenship, including learning for citizenship, human right and conviviality, can go hand-in-hand. The article argues for a pedagogy of sensibility, which centres learners’ humanity, as an approach to HRE.
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