Jean Claude Risset’s Duet for One Pianist: Challenges of a Real-Time Performance Interaction with a Computer-Controlled Acoustic Piano 16 Years Later | Zendy

Sofia Lourenço | Zendy

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Jean Claude Risset’s Duet for One Pianist: Challenges of a Real-Time Performance Interaction with a Computer-Controlled Acoustic Piano 16 Years Later

Author(s) -

Sofia Lourenço

Publication year - 2014

Publication title -

journal of science and technology of the arts

Language(s) - English

Resource type - Journals

SCImago Journal Rank - 0.13

H-Index - 3

eISSN - 2183-0088

pISSN - 1646-9798

DOI - 10.7559/citarj.v6i2.115

Subject(s) - piano , performing arts , sketch , visual arts , interpretation (philosophy) , computer science , computer music , art , human–computer interaction , art history , musical , algorithm , programming language

This study aims to discuss the work Duet for one Pianist (1989) by the French composer Jean-Claude Risset (b. 13 March 1938) by analyzing the challenges of the music performance of this Computer-Aided Composition work Disklavier and implies Human-Computer Interaction performance. Extremely honored to perform the revised version of the 8 Sketches for One Pianist and Disklavier within a research project of CITAR and a new Sketch Reflections (2012) by Jean-Claude Risset dedicated to me in a World premiere in the closing ceremony of Black&White 2012 Film Festival promoted by the Catholic University of Portugal. Several issues on the performance of this work are analysed as a case-study, from the point of view of the performer, particularly the components of expressive performance in a real-time interaction between performer and computer. These components can work as analysis criteria of a piano interpretation, in here, of a pianist and Disklavier interpretation.

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