English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Plus monthly

Global: Zendy Tools annual

Global: Zendy Tools monthly

Global: Zendy Free Plan

Two recent productions of American dramas employed provocative strategies for enacting Jewish ethnicity: National Asian American Theatre Company's performance of Clifford Odets's Awake and Sing! with an all–Asian American cast and New Yiddish Rep's staging of Toyt fun a seylsman, a Yiddish translation of Arthur Miller's Death of a Salesman. Each production entails a different approach to performing Jewishness that exemplifies these companies' respective artistic agendas regarding the enactment of ethnicity, resulting in complex performances of masking and unmasking Jewishness. Moreover, their analysis illuminates how ethnicity is conceptualized and realized in the United States in the early decades of the twenty-first century. Yiddish appears strategically, if often obliquely, in the histories of composition, production, and reception for both dramas, emblematic of shifting notions of enacting ethnicity.

Enacting Ethnicity: Yiddishkeit Masked and Unmasked on the Contemporary American Stage