Time regained archive. The form of imagination

This Article seeks to explore the installation Albertina Carri exhibited in the Sala Pays, next to the Monumento a las Victimas del Terrorismo de Estado (Monument to the victims of State Sponsored Terrorism) in the Parque de la Memoria (Remembrance Park) (Buenos Aires, Argentina). From September to November 2015, with his work Operacion fracaso y el sonido recobrado (Operation failure and the sound recovered), the filmmaker (Los rubios, Geminis, Cuatreros), makes an incursion into field of installation or the so called expanded cinema, proposing a kind of heterotopia to approach image as a space in which the image itself is transformed. This paper explores the work by reading it as an atlas in the light of obligatory references on the archive’s logic –Aby Warburg, Walter Benjamin- and on the figure of the specter –Jacques Derrida-.