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The article discusses the notion of the "Other" as it reveals itself through the content of the Lithuanian press media in the time period between 1926 and 1940. Articles describing the performances of the Lithuanian National Theatre are discussed. The content of these articles shows that Russian artists working in independent Lithuania were considered as a dangerous "Other" who exploits Lithuania ideologically and economically. Although such artists as Andrius Oleka-Žilinskas, Mikhail Chekhov, Vera Solovjova and others came to work in Kaunas in order to escape the Soviet regime, they were accused in Lithuania as being pro-Bolshevik and pro-Communist. The research shows that Lithuanian theatre journalists only considered Russians as dangerous to the young independent state but not Jewish or Polish artists. One can presume that Lithuania feared the communist regime so much that it tried to avoid any collaboration, including this with artists, which could harm the development of the independent state. In spite that Russian theatre artists enriched Lithuanian National Theatre, they were forced to leave Lithuania and never come back.Straipsnyje nagrinėjama „Kito“ koncepcija, kuri atsiskleidžia vertinant 1926–1940 m. lietuviškos spaudos publikacijas. Analizuojami straipsniai, kuriuose rašoma apie Lietuvos Valstybės teatro spektaklius. Tekstų turinys rodo, kad rusų artistai, kurie dirbo tuo metu nepriklausomoje Lietuvoje, buvo laikomi pavojingu Kitu, išnaudojančiu Lietuvą tiek ideologiškai, tiek ir ekonomiškai. Nors teatre dirbę menininkai Andrius Oleka-Žilinskas, Michailas Čechovas, Vera Solovjova ir kiti atvyko į Kauną bėgdami nuo sovietinio režimo, Lietuvoje jie buvo kaltinami bolševizmu ir komunizmu. Tyrimas rodo, kad tik rusų, o ne, pavyzdžiui, žydų ar lenkų, menininkai buvo laikomi pavojingais jaunai nepriklausomai valstybei. Galima daryti prielaidą, kad Lietuva, bijodama komunistinio režimo, visais būdais stengėsi vengti bendradarbiavimo, kuris pakenktų nepriklausomos valstybės vystymuisi, ypač su rusų menininkais. Nepaisant to, kad rusų menininkų darbai praturtino Lietuvos Valstybės teatrą, jie vis dėlto buvo priversti palikti Lietuvą ir daugiau į ją niekada nebegrįžo

Representation of "the Other" in the theatre journalism during the first Lithuanian independence