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El surgimiento del autor suele considerarse una innovacion del Renacimiento, particularmente, de Francesco Petrarca, quien, a diferencia de la mayoria de los poetas medievales, busca inscribirse de manera recurrente qua individuo en su obra. La distancia que separa a figuras como las de Petrarca de los autores medievales es, sin duda, insalvable. Pero este contraste, cierto y valedero, puede eclipsar las inflexiones que presenta la figura del autor en el campo de la literatura vernacula medieval. El analisis de dos textos anglonormandos compuestos en Inglaterra a fines del siglo xii, el Roman de Horn de Thomas y Boeve de Haumtone, puede resultar revelador para examinar las diversas posturas adoptadas por los poetas medievales segun el modelo generico en el cual enmarcan sus obras. The emergence of the author is usually attributed to the Renaissance, specifically, to Francesco Petrarch. Unlike most medieval poets, Petrarch frequently seeks to inscribe himself qua individual in his work. The distance separating figures such as Petrarch’s from medieval authors can certainly not be breached. However, this contrast, true and accurate, might overshadow the inflexions shown by the authorial figure in medieval vernacular literature. The study of two Anglo-Norman works composed in England towards the end of the twelfth century, the Roman de Horn and Boeve de Haumtone, may shed some light on the different postures adopted by medieval poets according to the generic model in which they frame their work.

Imágenes del autor en la literatura vernácula medieval: el caso de la narrativa anglonormanda