English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This paper explores autonomous space as subject and object in studio sculpture experimental studies with the backdrop of spatial subjectivities inherent culturally in Ghana. The study looks at contemporary Ghanaian art presentation of space as integral in sculptural compositions contextually, with interests shuffling between inner and outer space, as corresponding to spatial conception in conventional sculpture. Authors trace the traditional conception of space in sculpture and the gradual emergence of space as a medium in opposition to their subjective forms. The study further, through studio-based spatial experimental mappings in emerging contemporary praxis articulates possibilities in exploring autonomous space as medium in sculpture.   Key words: Space, Ghanaian subjectivity, sculpture, contemporary, theory and praxis.

Space as a unique context for sculpture theory and praxis in Ghana