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There is no doubt that the rise of the Greek drama, as evident in the classical writings of Aeschylus, Sophocles, and Euripides, had left a predominant impact on the Elizabethan writings of comedies. However, it was the tragedies that stood supreme. Yet, their appeal to the mass Elizabethan audience for their brutal images displayed on stage would not have been emotionally captivating had it not been for the Roman classic works of Ennuis and Seneca which paved the way for an era ever destined for genius minds in the theatrical world. Imitated by the Italian and French literary works, the Senecan tragedies, in particular, had indeed inspired the Elizabethan theatre, for they were widely modeled by some great Elizabethan dramatists. Hence, this paper is an attempt to revisit the historical writings of Seneca and observe his artistic vision of staging tragedies as adapted and projected in Thomas Kyd’s The Spanish Tragedy.   Key words: Senecan tragedies, Stoicism, Gorboduc, Senecan dramatic machinery, the Spanish tragedy.

The Senecan Tragedy and its Adaptation for the Elizabethan Stage: A Study of Thomas Kyds The Spanish Tragedy