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Resumo Se a literatura moderna faz emergir uma poetica da repeticao (Hamel, 2006), a escrita de Clarice Lispector pode ser considerada uma das expressoes dessa temporalidade. Raros sao os seus escritos que nao fazem uso do recurso a repeticao, quer seja no plano micro ou macro textual. Assim, atraves do conto “A quinta historia”, que integra a obra A Legiao Estrangeira (1964), vamos analisar as facetas da repeticao e as formas pelas quais este dispositivo intervem no texto clariceano. Pensar a obra de Clarice Lispector atraves do vies da repeticao nos projeta para um tempo-espaco em que os polos opostos se anulam (eu x outro) e o jogo linguistico ocupa um lugar central. A bibliografia critica ja vem apontando o carater espiral da escrita clariceana [1] , do retorno ao ponto de origem a partir de uma estrutura que se desdobra, ou de uma escrita do inacabado. Nossa proposta e encaixar estes pontos de analise dentro de uma verdadeira poetica da repeticao que pretende abarcar os micro e macro eixos textuais, uma repeticao da linguagem que revela o ser como multiplicidade. Palavra-chave: repeticao, pluralidade, tempo. Abstract Modern literature brings to the surface a poetics of repetition (Hamel, 2006) and the writing of Clarice Lispector can be considered one of the many expressions of this temporality. Only a handful of her texts do not use the device of repetition both at a micro and a macro level. Bearing this in mind, we will explore the different aspects of repetition and the ways in which this device imprints its mark in Lispector’s writing by analysing the short story “The Fifth Story”, which is part of the book The Foreign Legion (1964). When one thinks about the works of Lispector through the lens of repetition, one is catapulted to a space-time where opposites cancel each other out (I vs. the other) and linguistic gameplay takes on a key role. Its critical bibliography has described Lispector’s writing as spiral-shaped, coming back to the starting point from a structure which unfolds itself, or from the writing of the unfinished. We aim to merge these analytical viewpoints within a poetics of repetition which tries to encompass both the micro and the macro textual axes, a repetition of language that reveals oneself as multiple. Key-words: repetition, plurality, time. [1] Gotlib, Nadia. “Um fio de voz: historias de Clarice”, in Clarice Lispector, A Paixao Segundo G. H., Edicao Critica, coord. Benedito Nunes, Madrid; Paris; Mexico; Buenos Aires; Sao Paulo; Rio de Janeiro; Lima, Allca, 1997, p. XVIII.

A repetição como dispositivo estético a serviço do texto clariceano