Structural Aids to the Cognitive Practice of Music: Graphic or Verbal Analysis? | Zendy

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Structural Aids to the Cognitive Practice of Music: Graphic or Verbal Analysis?

Author(s) -

Reinhard Kopiez

Publication year - 1991

Publication title -

psychologica belgica

Language(s) - English

Resource type - Journals

SCImago Journal Rank - 0.511

H-Index - 33

eISSN - 2054-670X

pISSN - 0033-2879

DOI - 10.5334/pb.819

Subject(s) - psychology , guitar , musical , cognition , cognitive psychology , nonverbal communication , cognitive science , communication , visual arts , art , management , neuroscience , economics

Hombostel, E.M. von. (1928). African Negro music. Africa, 1, 30-61. Kubik, G. (1962). The phenomenon of inherent rhythms in Bast and Central African instrumental music. African Music, 3(1), 33-42. Kubik, G. (1979). Pattern perception and recognition in African music. In J. Blacking & J.W. Kealiinohomoku (Eds.), The performing arts: Music and dance (pp. 221-249). The Hague: Mouton. Meyer, L.B. (1956). Emotion and meaning in music. Chicago: University of Chicago Press. McAdams, S., & Bregman, A. (1979). Hearing musical streams. Computer Music Journal, 3(4), 26-44. Sloboda, J.A. (1982). Music performance. In D. Deutsch (Ed.), The psychology ofmusic (pp. 479-496). London: Academic Press. Zemp, H. (1979). Aspects of 'Are' are musical theory. Ethnomusicology, 23, 648.

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