In the first decade of the 20th century, French illustrated news journals — and especially 'L’Illustration' — published articles on the skyscrapers of New York. Through the diachronic analysis of word-image relations at work in these journals, this article reveals how the publishing of this new building type — within an equally new cityscape — moved within a single decade towards new forms that were the product of inverted hierarchies between the written and the graphic. The spectacular double-page photographs taken with an unusual viewing axis gave the clearest expression of it. These photographs, preceding those famously taken by Alvin Coburn, were a means developed by the journal editors to convey strong sensations to its readership. With this evolution towards architecture as sensational news in which the reader became the protagonist, the general-interest journals offered a completely different approach visually compared to the conventional way architecture journals published the same skyscrapers. This episode in publishing New York buildings represented the beginning of an important rift between the general public’s and the architectural expert’s ways of perceiving and experiencing architecture and the city
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