The Little Man and the Masses: Expression, Form and Politics in Sofia Gubaidulina’s Concerto for Bassoon and Low Strings | Zendy

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The Little Man and the Masses: Expression, Form and Politics in Sofia Gubaidulina’s Concerto for Bassoon and Low Strings<

Author(s) -

Emily Hopkins

Publication year - 2011

Publication title -

nota bene

Language(s) - English

Resource type - Journals

eISSN - 1920-8987

pISSN - 1920-8979

DOI - 10.5206/notabene.v4i1.6563

Subject(s) - concerto , politics , expression (computer science) , art , political science , law , computer science , art history , programming language , piano

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