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Musical Bodies: Corporeality, Emergent Subjectivity, and Improvisational Spaces
Author(s) -
Chris Stover
Publication year - 2016
Publication title -
m/c journal
Language(s) - English
Resource type - Journals
ISSN - 1441-2616
DOI - 10.5204/mcj.1066
Subject(s) - subjectivity , improvisation , musical , aesthetics , art , sociology , communication , visual arts , philosophy , epistemology
Interactive improvisational musical spaces (which is to say, nearly all musical spaces) involve affective relations among bodies: between the bodies of human performers, between performers and active listeners, between the sonic "bodies" that comprise the multiple overlapping events that constitute a musical performance’s unfolding. Music scholarship tends to focus on either music’s sonic materialities (the sensible; what can be heard) or the cultural resonances that locate in and through music (the political or hermeneutic; how meaning is inscribed in and for a listening subject).

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