Bodies in a Frame: Black British, Working Class, Teenage Femininity and the Role of the Dance Class

Historically the working class, black, female body has been defined by its sexuality and socially constructed as an object for heterosexual consumption; this article is concerned with how this manifests itself for young British women in educational settings today. I will argue that this historical bodily construction has been compounded for young women in this context by a contemporary popular culture which frames, glamorises and hetero-sexualises black female bodies. Drawing on the work of Judith Butler and Michel Foucault, I will suggest that girls who perform a Black British, working-class femininity play a central role in their own construction as hetero-sexualised and consequently passive bodies, through an internalisation of and performance for a heterosexual ‘gaze’ within various spaces of the urban, post-16 college. This article ultimately focuses, however, on the potential for resistance. Based on research conducted into the experiences of four dance students at an inner London post-16 college, I will explore the dance class as a potential space for resisting the debilitating heterosexual gaze enacted within the public spaces of the college. I will argue that the dance class can be a space where the student can reconstruct and reproduce her own body in a way that grants it agency, rather than objectifying it within a metaphorical frame.