z-logo
open-access-imgOpen Access
Utilizing the Stanislavski System and Core Acting Skills to Teach Actors in Arts Entrepreneurship Courses
Author(s) -
James D. Hart
Publication year - 2020
Publication title -
journal of arts entrepreneurship education
Language(s) - English
Resource type - Journals
ISSN - 2693-7271
DOI - 10.46776/jaee.v2.49
Subject(s) - stanislavski's system , openness to experience , entrepreneurship , the arts , appeal , psychology , parallels , soft skills , pedagogy , engineering ethics , sociology , engineering , political science , social psychology , aesthetics , mechanical engineering , philosophy , law
With insight into key pedagogical approaches of theatre training, an understanding of research regarding common psychological characteristics of actors and awareness of identified parallels between arts entrepreneurship and acting course content, arts entrepreneurship instructors can, in their classrooms, increase the likelihood of relating to acting students and subsequently, leverage their students’ inherent and developed skills. Research-based psychological characteristics of actors are offered, as are suggestions to appeal to actors’ general sensibilities (and how they may wish to be engaged). The Stanislavski System is the most popular approach to actor training; its critical structural components are discussed in addition to various offshoots of the original technique. Unique features of acting training such as encouraging imagination, reflection, openness to experience, emotional connections, pursuit of goals and the importance of soft skills are emphasized.

The content you want is available to Zendy users.

Already have an account? Click here to sign in.
Having issues? You can contact us here
Accelerating Research

Address

John Eccles House
Robert Robinson Avenue,
Oxford Science Park, Oxford
OX4 4GP, United Kingdom