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Carrossel 2: apropriações da Jornada do Escritor pelo filme do SBT
Author(s) -
João Paulo Hergesel,
Rogério Ferraraz
Publication year - 2019
Publication title -
fronteiras - estudos midiáticos
Language(s) - English
Resource type - Journals
eISSN - 1984-8226
pISSN - 1518-6113
DOI - 10.4013/fem.2019.211.09
Subject(s) - movie theater , plot (graphics) , art , narrative , humanities , art history , consistency (knowledge bases) , literature , computer science , statistics , mathematics , artificial intelligence
Directed by Mauricio Eca, Carrossel 2 – O Sumico de Maria Joaquina (Carousel 2 – The disappearance of Maria Joaquina, 2016) continues Carrossel, O Filme (Carousel, The Movie, 2015), which is derived from the telenovela Carrossel (Carousel, 2012-2013). The plot is about the revenge of the villains from the first film: they come out of jail and kidnap Maria Joaquina, proposing riddles and physical tests that children should take to get rescue of the classmate. In order to analyze the appropriations of The Writer’s Journey, by Christopher Vogler, through the movie, this work is another part of the studies initiated to understand the consistency of this macronarrative and its consequent impact on the Brazilian cultural scene. Keywords: Audiovisual. Cinema. Narrative. Style. SBT.

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