English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This article sets out to examine ideas of the monstrous in the tales which bookend the two collections of short stories published to date by contemporary Argentine writer Guillermo Martinez, Infierno grande (1989, 2009) and Una felicidad repulsiva (2013). The article draws on definitions of monstrosity as linked to moral values, rather than physical difference, to explore the political and literary monstrous in Infierno grande . It then goes on to examine how ideas of monstrous perfection, as revealed in Una felicidad repulsiva , reincorporate the dimension of physical difference as a factor in defining monstrosity. Physical difference, moral values and abnormal or obsessive behaviour are then combined into a more socially nuanced concept of the monstrous. Finally, it is argued that Martinez makes use of narrator/witness figures whose ethical dilemmas in engaging with the monstrous encourage a parallel activity on the part of the reader of these texts, making them thought-provokingly relevant to contemporary social anxieties surrounding the monstrous.

The Monstrous in the Short Stories of Guillermo Martínez