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The relevance of the representative tradition gets highlighted with a number of productions in the world of visual culture, demanding an analysis that question the own statute and condition of possibility of those images. The series of photographs by John Pfahl "PICTURE WINDOWS" proposes, from this analysis, an approach to the so-called scopic regime, referencing its inevitable link with visual memory constituted within the history of Western art. It is a possible way to revisit the narrative of Naturalism that has remained in a diversity of productive ways fell across by new types of images. RESUMEN La relevancia de la tradicion representativa sustentada en la construccion perspectica del espacio se pone de relieve en multiples producciones del mundo de la cultura visual, demandando un analisis que cuestione el propio estatuto y condicion de posibilidad de aquellas imagenes. La serie fotografica de John Pfahl “PICTURE WINDOWS” propone, desde este analisis, un acercamiento a la denominada episteme escopica referenciando su vinculo ineludible con la memoria visual constituida dentro de la historia del arte de occidente. Es una manera posible de revisitar aquella narrativa del Naturalismo que ha permanecido en diversidad de formas productivas atravesadas a su vez por nuevas modalidades de la imagen.

El entramado visual y una reiteración de la tradición visual occidental en la serie “PICTURE WINDOWS”