“KAHLO EM MIM EU E(M) KAHLO”: MEU CORPO DIFERENCIADO EM CENA

This article seeks to reflect on the body, experience and performance artists in contemporary differentiated bodies. The study also aims to analyze the course of demonstrating that the paradigm of postmodern art, mainly em performative theater, humans com differentiated bodies that had previously been relegated to the margins of the processes and artistic products are gaining ground, and artists Performing different languages realize that bodies can and should be differentiated treat that as a possibility given to any body: making art. In this perspective, describes the creative process and the presentation of "Kahlo em mim Eu e (m) Kahlo", performance, developed in the research of my master, and aims to address the mechanisms of social and cultural development stigma and Frida Kahlo used as poetic matrix. Palavras-Chave: Corpos Diferenciados; Estigmas; Teatro Pós-dramático; Performance; Frida Kahlo.