Why We Need a Theory of Art
Author(s) -
Annelies Monseré
Publication year - 2016
Publication title -
estetika the european journal of aesthetics
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.186
H-Index - 4
eISSN - 2571-0915
pISSN - 0014-1291
DOI - 10.33134/eeja.149
Subject(s) - theory of art , nobody , epistemology , field (mathematics) , the arts , sociology , philosophy , aesthetics , computer science , art , visual arts , mathematics , pure mathematics , operating system
In this article, I argue against Dominic McIver Lopes’s claim that nobody needs a theory of art. On the one hand, I will demonstrate that Lopes’s alternative to theories of art – namely, the buck-passing theory of art– is neither more viable nor more fruitful: it is likewise incapable of resolving disagreement over the status of certain artefacts and of being fruitful for the broader field of the arts. On the other hand, I will defend the view that we are in need of a viable theory of art. The concept of art has a profound impact on our cultural practices. Concepts of art in use now showcase biased and arbitrary features. Correspondingly, certain artefacts and practices are excluded from the domain of art without adequate justification. Therefore, I will argue, it is unwarranted to abandon the search for a viable theory of art.
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