Classical and Secular Learning among the Irish before the Carolingian Renaissance
Author(s) -
Michael W. Herren
Publication year - 1981
Publication title -
florilegium
Language(s) - English
Resource type - Journals
eISSN - 2369-7180
pISSN - 0709-5201
DOI - 10.3138/flor.3.006
Subject(s) - irish , the arts , middle ages , classics , swift , history , classical antiquity , literature , philosophy , art , ancient history , visual arts , linguistics , computer science , programming language
Any paper on the old topic of Irish learning in the Dark Ages, a question to which so many erudite books and articles have been devoted, requires some kind of explanation from the writer, especially when he does not intend to present very much in the way of new evidence. To put matters succinctly, the reason for this foray into familiar territory is a methodological one. The question of the state of learning in early mediaeval Ireland has long been vexed by confusions. The most serious of these has been a certain fuzziness regarding "classical learning," which semper et ubique refers to the direct study of the best literary products of the Greek and Roman civilizations up to about the second century A.D., and "secular learning," which is based upon "classical learning" and is intimately bound up, but not identical, with it. Secular learning embraces a host of non-theological subjects and is more or less identical with the liberal arts in the form in which they were transmitted by handbooks to the early Middle Ages. Secular learning includes, in addition to the canonical seven or nine liberal arts, the numerous topics that make up "natural science" (including geography, ethnography, even some areas of history, i.e., the social sciences of today). Classical and secular learning maintained their close association with each other until the end of antiquity, when they gradually became divorced. Bede could write his De Schematibus et Tropis without reference to classical literature, and as we shall argue, the Irish studied Vergilian commentaries without knowing much, if anything, about Vergil.
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