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Practice as Research (PaR and its associated forms) is becoming established within a knowledge paradigm encompassing a broad spectrum of different artistic research practices in the performing arts. In this short essay, Hansen first acknowledges and describes methodological characteristics of this work, which appear across different discussions and examples. The author’s primary objectives, however, are to look at PaR in relationship to broadly established scientific and interpretive research paradigms; to identify the points of negotiation that cross-disciplinary research entails; and to discuss the additional capacity of PaR as ‘connective tissue’ between, for example, creative practice and scientific research. These objectives are driven by the observation that contemporary socio-environmental challenges are too complex to be addressed through segregated, discipline-specific research alone.

Connective Tissue: Practice as Research in Cross-disciplinary Research Collaborations