Análisis de la relación entre ansiedad rasgo y experiencia profesional en la danza

espanolEste estudio investiga la relacion entre los niveles de AR de los bailarines profesionales y su grado de experiencia en el mundo de la danza. Para ello se ha trabajado con bailarines de tres companias de danza internacionales: la Compania Nacional de Danza en Espana (CND), el Ballet Nice Mediterranee de la Opera de Niza en Francia (BON) y el Bejart Ballet Lausanne en Suiza (BBL). Se aplico el STAI de Spielberger a 44 bailarines con el objetivo de determinar su nivel de ansiedad rasgo y las posibles correlaciones entre las variables AR y anos de experiencia profesional. Los resultados muestran que un 56.8% de los sujetos presentan una AR situada en el percentil 10. La media de la variable relativa a la experiencia como profesionales del sector de la danza de los sujetos es de 9.34 anos, y los resultados del analisis de la correlacion entre AR y experiencia profesional se revelan no significativos. Podemos concluir que el bailarin consagrado presenta unos muy bajos niveles de AR que no se relacionarian de forma significativa con una mayor o menor experiencia en el ambito profesional. La AR parece ser un rasgo de gran estabilidad, o bien realmente caracteristico del bailarin profesional, o no influenciable por su grado de experiencia escenica. EnglishThis study investigates the relationship between the TA levels of professional dancers and their level of experience in the world of dance. We have worked with dancers from three international dance companies: the National Dance Company in Spain (CND), the Ballet Nice Mediterranee of the Opera de Nice in France (BON) and the Bejart Ballet Lausanne in Switzerland (BBL). The STAI from Spielberger was applied to 44 dancers in order to determine their level of anxiety trait and the possible correlations between the TA variables and years of professional experience. The results show that 56.8% of the subjects presented a TA located in the 10 percentile. The average of the variable related to the experience as professionals in the dance sector of the subjects was 9.34 years, and the results of the analysis of the correlation between TA and professional experience are not significant. We can conclude that the consecrated dancer presents very low levels of TA that would not be significantly related to a greater or lesser experience in the professional field. The TA seems to be a feature of great stability, either really characteristic of the professional dancers, or not influenced by their degree of stage experience.