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The article deals with the peraenetic representations of Judyta with particular emphasis on how she was portrayed in the epic poems of Rafał Leszczyński (1620) and Wacław Potocki (circa 1952). The author analyzes the differences of portrayal of the biblical widow in Guillaume du Bartas’ La Judit and the Polish paraphrasing of said text by Rafał Leszczyński (Iudith). Those differences were influenced not only by political, but also by moral and social factors. The best example and proof of that is the shortened and modest (as compared to the original) description of Judyta’s beauty found in Leszczyński’s text. Słowa kluczowe: barok, Biblia, Judyta, parenetyka, Rafał Leszczyński, Wacław Potocki

Wizerunek Judyty w poematach Rafała Leszczyńskiego i Wacława Potockiego