Identitas Budaya, Kreativitas, dan Kajian Arkeologi Publik
Author(s) -
Andri Restiyadi
Publication year - 2018
Publication title -
berkala arkeologi sangkhakala
Language(s) - English
Resource type - Journals
eISSN - 2580-8907
pISSN - 1410-3974
DOI - 10.24832/bas.v12i23.199
Subject(s) - socialization , identity (music) , sociology , meaning (existential) , presentation (obstetrics) , object (grammar) , cultural identity , point (geometry) , representation (politics) , national identity , order (exchange) , creativity , aesthetics , epistemology , political science , social science , linguistics , art , law , philosophy , politics , medicine , negotiation , geometry , mathematics , radiology , finance , economics
Public Archaeology can’t be understood as a narrow-minded view point as an archaeological research and their object’s presentation and representation at the public only. However, public archaeology must be understood more widely as an archaeological view point for understand the public requirements and importance. These discipline have an important meaning for the socialization of supreme culture values at the past. On the future, those values will be reinforcing the national cultural identities from the foreign cultural influence. In order to those purpose, public role, active and seletive creativity in the foreign culture adoption without leaving any cultural identity, will be necessary.
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