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Cross-dressing, as a cultural practice, suggests gender ambiguityand allows freedom of self expression. Yet, it may also serve to reaffirmideological stereotypes and the binary distinctions between male and female,masculine and feminine, homosexual and heterosexual. To explore the natureand function of cross-dressing in Chinese and Western cultures, this paperanalyzes the portrayals of cross-dressing heroines in two Chinese stories:《木木木》 The Ballad of Mulan (500–600 A.D.), and 《台》The ButterflyLovers (850–880 A.D.). Distorted representations in the English translated textsare also explored

Female Cross-Dressing in Chinese Literature Classics and their English Versions