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espanolGracias a los trabajos de recuperacion de las pinturas murales de la Camara de Dona Sanchaen la Real Colegiata de San Isidoro de Leon,hoypodemos conocer,por un lado, unas magnificasgrisallas renacentistas que narran un ciclo cristologico y permanecieron ocultas practicamente desde su realizacion y,por otro,unaspinturas murales realizadas al oleoen el mismo estiloque recogen tres importantes ciclos iconograficos: la Crucifixion, la Conversion de San Agustiny la vida y milagros de San Isidorode Sevilla. Todo ellonos ofrece una lectura del espacio acorde con la vida de los canonigos del siglo XVI EnglishThanks to the works of recovering of the wall paintings of the Chamber of Dona Sancha in the Royal Collegiate Church of St Isidore of Leon, today we can see,on the one hand, a magnificent ensemble of Renaissance grisaillesthat narrate a cycle of the life of Christ and remained hiddenalmost from the very same moment of theircreationand, on the other hand,a setofoil wall paintingsmade in the same art stylethat contain three important iconographic cycles: the Crucifixion, the Conversion of StAugustineand the life and miracles of St Isidore of Seville. Thisoffersus a new reading of the space consistent with the life of the canonsthe 16th century

recuperación de las pinturas murales de la Cámara de Doña Sancha en la Real Colegiata de San Isidoro de León: una nueva mirada