English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This work presents a brief theoretical conceptualization of the complexities of the mechanisms unfolded by the media for the spectacu- larization of the public sphere presented in Jose Ricardo Morales’ play Como el poder de las noticias nos da noticias del poder (1971)1. It fo- cuses on the following research question: What specific complex discur- sive-based power strategies related to the spectacularization of the public sphere in the media can be identified in Jose Ricardo Morales’ play? In this article, my final goal will be to emphasize Morales’ capacity to pre- dict the use of different mechanisms of spectacularization of the public sphere, carried out by the corporate media and politicians to seize infor- mation and, consequently, influence the audience’s decisions and prefer- ences on television.

journal of media research

Mechanisms Unfolded by the Media for the Spectacularization of the Public Sphere Represented in José Ricardo Morales’ Play Cómo el poder de las noticias nos da noticias del poder (1971)