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The Psychedelic Renaissance: Horizons, the Fifth Annual Conference on Psychedelic Research
Author(s) -
Michael Cooper
Publication year - 2016
Publication title -
einstein journal of biology and medicine
Language(s) - English
Resource type - Journals
eISSN - 1559-5501
pISSN - 1559-5498
DOI - 10.23861/ejbm20122823
Subject(s) - the renaissance , art , visual arts , psychology , art history
In the spring of 1943, a 37-year-old Swiss chemist named Albert Hofmann had “a peculiar presentiment.” He believed that he had missed something in 1938, the year when he first synthesized the twenty-fifth compound of the lysergic acid diethylamide series, LSD-25. For eight years at Sandoz Pharmaceuticals, Hofmann was in charge of the ergot project, which involved synthesizing ergotamine molecules for the treatment of migraines. On April 16, 1943, guided by a premonition, Hofmann synthesized and ingested a crystalline water-soluble batch of LSD25. Shortly thereafter, Hofmann experienced “an uninterrupted stream of fantastic images of extraordinary plasticity and vividness . . . accompanied by an intense kaleidoscopic play of colors” (Stevens, 1987).

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